![]() The script was strong and I also realized that there was a style that it was suggesting, and it actually was in the vein of what I wanted to do. The circumstances of those films were such that you couldn't really say that that was your best work. It was, as you said, it was my first real film because I'd done some work for Roger Corman. ![]() I was thrilled to discuss this masterpiece with Franklin in conjunction with the Criterion Collection's brand new 4k release. "The Pacific," "House of Cards" and "Mindhunter"). Franklin's taut, emotionally acute direction launched a career that's included neo-noir gems like "Devil in a Blue Dress" and "Out of Time," and loads of prestige television (e.g. Tonally, it's a miraculously seamless blend of cold-around-the-heart nastiness and genuinely heart-rending drama. This is the film that made Paxton a leading man, and should've made Michael Beach a star (his Pluto is one of the most chilling screen psychopaths I've ever run across). When two LAPD detectives (Earl Billings and Jim Metzler) show up to catch the murderers, a starstruck Hurricane desperately tries to impress his big-city visitors (who think he's a doofus). Despite this acclaim, "One False Move" has remained an under-the-radar cult favorite amongst neo-noir fans, perhaps because it lacks the Coen Brothers' archness or the overripe sensuality of Lawrence Kasdan's "Body Heat." It's a quietly surprising, yet plenty violent thriller about a trio of criminals who, after committing a string of vicious murders, flee Los Angeles for a backwater Arkansas town run by police chief Dale "Hurricane" Dixon (Paxton).
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